Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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FETI, Domenico
The Repentant St Mary Magdalene dfr

ID: 06653

FETI, Domenico The Repentant St Mary Magdalene dfr
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FETI, Domenico The Repentant St Mary Magdalene dfr


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FETI, Domenico

Italian Baroque Era Painter, ca.1589-1624  Related Paintings of FETI, Domenico :. | Portrait of an Actor dfg | Flight to Egypt dfgs | Melancholy (mk08) | David (detail) dfg | The Healing of Tobit |
Related Artists:
Jan Stanislawski
Polish, 1860-1907 Polish painter and printmaker. He came from a Polish family that had settled in the Ukraine after having been deported to Russia as punishment for the patriotic activities of the artist's father Antoni Stanislawski, a lawyer, poet and translator. In 1879 Jan Stanislawski came to Warsaw and, after completing his higher studies in mathematics, started to study painting (probably in 1881) under Wojciech Gerson at the Warsaw School of Drawing, continuing in 1883-4 under Wladyslaw Luszczkiewicz (1828-1900) at the School of Fine Arts in Krakew. Under Gerson's influence Stanislawski chose landscape as his main and almost only subject. The principal characteristic of his paintings was their small size, rarely greater than 360*240 mm.
Pope Alexander
American artist , b.1849 d.1924
Dora Carrington
British Painter, 1893-1932 English painter and decorative artist. Daughter of a Liverpool merchant, she was brought up in Bedford. She trained at the Slade School of Fine Art in London where she met John Nash, who aroused her interest in wood-engraving, and Mark Gertler, whose powerful figure paintings influenced her own approach to portraiture. She rejected Gertler as a lover and set up home with the homosexual essayist and biographer Lytton Strachey (1880-1932), first at Tidmarsh Mill, near Pangbourne, Berks, then at Ham Spray, between Newbury and Hungerford, Berks. In 1921 she married Ralph Partridge, living with him and Strachey in a m?nage ? trois, surrounded mainly by literary friends and receiving little encouragement to exhibit. She turned instead to decorative work, emulating Vanessa Bell and Duncan Grant but in a style more native in inspiration and more naive. She designed tiles and inn signs, experimented with painting on glass and tinfoil, decorated furniture and designed the library at Ham Spray.






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